It's about our community and our spirituality!

Melissa Harris-Perry Tries The Help

The Help has been billed as nothing less than a new American literature classic.  Written by Kathryn Stockett, the story is set during the early years of the civil rights movement in Jackson, Mississippi, what could be argued as ground zero for the racial discrimination of white people against black people.  Despite the racial animosity and disharmony of the time, a southern society girl, Eugenia Skeeter Phelan, returns home from college and wants to become a writer.  Advised to write about something that disturbs her, she decides to collect stories from the black women who wait on white families and to put their stories to paper.

The story has been described as optimistic, uplifting and empowering for women but with something to offer everyone.  However, after listening to an interview of Ms. Stockett on National Public Radio’s Diane Rehm Show, I found the author’s understanding of race relations between whites and blacks extremely simplistic and totally white-washed of the revulsion inflicted by the dominant white community.  When Ms. Stockett described her family’s treatment of their black maid back in the day as loving and some form of royal treatment despite the fact that the maid was not allowed to use the bathroom in the house that she no doubt cleaned, but instead in an outhouse in the backyard, or how their maid was not allowed to eat with the same utensils that the white family ate with, even though the black woman no doubt cleaned those knives, forks and such, I had little doubt that Ms. Stockett’s book would be a form of propaganda that would sanitize white people’s prejudice at the time.  The disgusting racial hatred of people in the klu klux klan can be self evident.  The disgusting behavior of Ms. Stockett’s own family is much more devious.  Even the Supreme Court recognized the harm in the often practiced white enforced condition of separate but unequal facilities.  Ms. Stockett can describe the racism of her family as something wonderful and people will line up to buy that crap.  But Ms. Stockett’s own prejudice is quite clear to people who have some sensitivity to racism.  I am very sorry but I find it difficult to support people who wear their prejudice against black people so openly on their sleeves.

So I must confess to some despair over the fact that this book has been turned into a movie.  After all the hoopla over the book, I was sure that the movie, if given a reasonably descent production crew and cast, would get the same response.  Sure enough, I heard that Oprah Winfrey gave the film a rave review.  Other raving reviews are sure to follow.

But I was watching The Last Word With Lawrence O’Donnell when he announced that coming up next was a review of The Help from Melissa Harris-Perry, a professor of political science at Tulane University and an author in her own right.  She has a reputation for focusing on issues that impact the black community.  My curiosity was piqued.  I waited on the edge of my seat for the review to come.  After a series of false starts and more promises of the review coming up next, Ms. Harris-Perry appeared in the final segment of the show.

The review gave me back my hope.  She had watched a screening of the movie exclusively for Lawrence O’Donnell and found it so disgusting she joked that she should be paid workers’ compensation for watching it.  She said she actually made a series of tweets while she watched the movie that made the experience sound excruciating.  After watching the film she said she had to go home to calm down because it would be too easy to frame a black feminist talking about a feel good, happy movie about race relations with a critical eye as a killjoy.  She wanted to make clear that the acting and the immediate story had been somewhat entertaining.  And she gave props to the acting of Viola Davis who played the maid Aibileen Clark.

But it was the stories happening around the main story that Ms. Harris-Perry took issue with, saying that black domestic workers during these early days in the civil rights era were just props for the white protagonist.  The story reduced the struggles of these black women as negligible fare for the real story of what’s happening in the white people’s lives.  She compared the film to The Ghost of Mississippi, a story about what had happened in the life of Bobby DeLaughters, the white district attorney who successfully prosecuted white supremacist Byron De La Beckwith for murder.  Oh and by the way, civil rights activist Medgar Evers was killed.

The morning after her critique aired, I read reviews of Ms. Harris-Perry’s review.  Like everyone and anyone who may be vocal about his or her sensitivity to the black community it was no surprise to see comments attacking her as a race baiter and a person who is prejudiced against the white community.  Hey, she never said she was trying to be Oprah.  We already have plenty of people trying to apply for that kind of role.  Ms. Harris-Perry is simply trying to voice what some of us see.  She recognizes this film, and consequently the book, as just another Hollywood product where the real story of the racial suffering of black people takes a back seat to the story of a young white woman.  The story of young white people making a difference is a story that is put to the silver screen at least several hundred times a year.  And most of these films are done without the need to soften the rock-hard edges of our tremendously disparate history of racial prejudice that still impacts the black community to this day.

One particular nasty chain of comments started with the rather nonsensical observation that Ms. Harris-Perry found herself too light skinned for her own comfort and wanted to appear blacker, thus the extreme review.  This was followed up by the observation that she wasn’t one hundred percent black.  As if any of that really mattered.  I wonder if any of these people would accuse Ms. Stockett of being over the top white or trying hard to be whiter than most white people when she paints a depiction of racism with such bland colors to tone down the intensity.

Then again, maybe Ms. Harris-Perry is trying to be blacker than most people try to be.  But I’m willing to bet that her skin color has nothing to do with it.  I believe it has more to do with the fact that too many people work too hard to distance themselves from black people, to draw deep lines in our social fabric with the unfortunate result of confining the majority of black people to specific limits, and then turnaround and try to white wash the whole thing as nothing more than business as usual.  It’s kind of like when a white family forces their black maid to use the outhouse instead of the indoor plumbing, and then describe the whole separate but unequal condition as some form of love.

Thursday, August 11, 2011 - Posted by | African Americans, Black Community, Black Culture, Black People, Life, Racism, Thoughts | ,


  1. can someone please tell me why white folks refuse to understand–is this done on purpose or are they truly are oblivious?????

    Comment by jodee | Thursday, August 11, 2011 | Reply

  2. I listened to that same interview in which Kathryln Stockett down played and made smale talk of the southern Black expericnce of White crimes against humanity. The perfect example of change remaining the same.

    In response to Jodee’s comment. It is not by any measure that white folks do not undersdand. If white America were to publish the true and complete historical experience of all Americans in proper context(on the same time line) from before Columbus,” A” social and political revolution could possibly take place that would pose a threat to White folks personal INTERESTS. Thier INTERESTS will always come first no matter what they have to do to ipose them.
    Believe me. Then understand too well!!

    Comment by Akinwole/Akil Aswad | Friday, August 12, 2011 | Reply

  3. I don’t even pretend to know these things…

    Comment by mikelovell | Friday, August 12, 2011 | Reply

  4. This film reminded me , again, that racism is alive and well in our current date and time. But! This was NOT a story about some white girl . I do not agree with this person’s opinion, but it is HER opinion. And she has the right to express it per our Constitution. This film made me think, feel, empathize, and remember NOT to take for granted the freedoms I have today. As a black and gay man myself, I dont agree with this review but again…it is her opinion.

    Comment by Ken | Saturday, August 13, 2011 | Reply

    • I don’t get your comment Ken. Exactly what point are you trying to make and just what does your being gay and male have to do with the discussion?

      Comment by Akinwole/Akil Aswad | Saturday, August 13, 2011 | Reply

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: